Kunstneren Jørgen Sonnes frise på T

Kunstneren Jørgen Sonnes frise på Thorvaldsens Museums facader, skildrer en historisk scene: Thorvaldsens hjemkomst til København i 1838 efter et langt liv i Rom. Han bliver hyldet af en stor forsamling af byens borgere, som modtager ham på kajen, i det øjeblik han sætter foden på dansk grund. Frisen er et farverigt billede på en tid, hvor det nye Danmark er under fremvækst, men enevælden er under afvikling.

Resultater (Engelsk) 1:

The artist Jørgen Sonne's frieze on Thorvaldsen Museum façades, portrays a historical scene: Thorvaldsen's return to Copenhagen in 1838 after a long life in Rome. He is cheered by a large crowd of townspeople who receive him at the pier, the moment he set foot on Danish soil. The frieze is a colorful picture at a time when the new Denmark is emerging, but autocracy is being phased out.

Resultater (Engelsk) 2:

The artist Jørgen Sonnes frieze at Thorvaldsen's museum facades depicts a historical scene: Thorvaldsen's return to Copenhagen in 1838 after a long life in Rome. He is hailed by a large gathering of the townspeople who receive him on the quay, the moment he Set foot on Danish ground. The Frisen is a colourful picture at a time when the new Denmark is in the process of growth, but the absolute is in liquidation.

Resultater (Engelsk) 3:

The artist Jorgen Sonnes, fresh on the facades of the Museum of Thorvaldsen, depicts an historic scene: Thorvaldsen's return to Copenhagen in 1838 after a long life in Rome. He is honoured by a large gathering of the city's citizens who welcome him on the quay as soon as he sets foot on Danish soil. The deadline is a colourful picture at a time when the new Denmark is growing, but the single currency is in the process of being phased out.